Adam Celeban - Artist, Illustrator & Designer

Welcome to the online portfolio of Adam Celeban, prize-winning artist, illustrator & designer based in Sydney. Get in touch to have something unique created for your project.

View Artworks Chalk Art, Anamorphic.

The Plight of Old-world Vegetables

The Plight of Old-world Vegetables - Chalk Art, Adam Celeban 2011

6-9 October 2011 - Chalk on Canvas (2x3m). Duration: 3½ days.

My entry to The Chalk Urban Art Festival, this year, won a prize! The theme for this year's competition was "food", and it seems as though each year of the competition just keeps getting bigger and better. Congratulations to all of the other prizewinners, and to everyone else who competed.

My work (an appropriation of Grant Wood's American Gothic) tells the tale of an old migrant couple, from a bygone era, Mr Zucchino and his wife, Melanzana. They plead that their taste never be forgotten. Their only hope for the future is that their kind never die out - that they are eaten, and their descendants flourish once more.

View Artworks Digital Painting, Character Design, Photoshop.

Big Mamma

Big Mamma - Digital Painting, Adam Celeban 2011

20-21 September 2011 - Digital Painting. Duration: 7 hours.

As a gift to a friend and Blues lover, who doesn't have nearly enough room to house the entire chalk series of Croak, Bellow, Howl & Growl, I completed this digital painting version of "Bellow" (also affectionately known as Big Mama).

Normally reticent to re-make or revisit old work, and keep developing as an artist, I really enjoyed painting this piece because it gave me an opportunity to just concentrate on the painting and focus solely on how the light works in it and develop that to a finer degree.

View Illustrations Digital Painting, Photoshop, Christmas.

North Pole Portrait

Family Photo - Digital Painting, Adam Celeban 2010

16th December 2010 - Digital Painting (Photoshop). Duration: 9 hours.

Merry Christmas! This artwork was designed as a Christmas card, and was done to a fairly tight deadline so it could be printed on time.

On the left is Uncle Frosty, filled to the brim with Christmas cheer. Ever since he discovered that alcohol won't freeze at temperatures just below zero, he's always managed to have a good time at all of the family get-togethers. Larger than life and full of pride, Santa Claus embraces his family. On Santa's other side stands Jack Frost, always a little unimpressed by family activities. Mrs Claus sits in the middle, with her Elvin children around her. And let's not forget the family pet, Rudolf.

View Artworks Chalk Art, Character Design.

Croak, Bellow, Howl & Growl

Croak, Bellow, Howl & Growl - Chalk Art Blues Tribute, Adam Celeban 2010

7-10 October 2010 - Chalk Artwork Series. Duration: 3½ days.

As the chosen "poster boy" for the Chalk Urban Art Festival of 2010, I was swamped with interviews and consequently given an opportunity to flesh out my identity as an artist. I was interviewed by Aesthetics Now Magazine, Street Corner, AFTRS Radio, and Hawkesbury Radio.

2010's Chalk Urban Art Festival was given the theme of
"The Blues". For my entry I chose to tribute Blues musicians with four characters, each drawing inspiration from a mix of different artists. This year I gave myself an added challenge of splitting the 2x3m canvas into a series of artworks, each one a more manageable size. You might notice that the Gorilla (The Growl of Croak, Bellow, Howl & Growl) is shown unfinished. Unfortunately due to time, over-achieving and suffering for my art (that led to painful and bloody fingers), "time" was called just before I was able to complete it.

View Artworks Exhibition, Digital Painting.

Digital Dreams

Adam sells his first print of his first ever digital painting - August 2010Artworks on display - August 2010

An exhibition that treads new ground by exhibiting Australian digital painters. 27th August - 9th September 2010.

I was invited to exhibit my work at Brunswick Street Gallery – three storeys of gallery space tucked up above a bookshop in Fitzroy, Melbourne. Suddenly this part-time passion had turned into a somewhat more than part-time adventure.

I hurriedly painted another artwork to add to my collection, organised printing, framing and shipping, and flew down to Melbourne to attend the opening night, accompanied by my Publicity Agent/Minister for Social Affairs/girlfriend.

I'm happy to say that I was the first to sell a piece (Office Pandamonium), and that it was sold on opening night, within just a few hours of the gallery opening to the public. What a buzz!

The beauty, or perhaps misfortune/disadvantage of digital painting is that there are no originals. Reproduction is easy enough, and I never need to part with my original work, which can be difficult. Every artist pours their heart and soul into each piece and gets so very attached to it that it’s hard to let it go. It’s also hard to put a price on something you've loved and nurtured, and brought into existence.

That is why I decided the production of my works should be unique, and of the highest quality. Each painting is framed and belongs to a limited edition of 250. They are individually hand-signed and numbered as a part of the printed artwork. The prints are made by 10-ink UltraChrome® HDR process, which has a superior colour and vibrancy to normal 4 colour printers, or even giclée prints which are the usual choice for high-end archival quality artist’s prints.

My little trip to Melbourne was a great source for inspiration. I visited the Tim Burton exhibition and remembered why I love Beetlejuice so much. I also managed to meet Viet-My Bui ("Viet-Mee Buoy"), one of my new favourite artists, alongside whom I happened to be exhibiting. Some of her work can be found at